WINTER RESIDENCY VISUAL ARTS FELLOWS
1969–1970
SUSAN BAKER’s paintings of various churches and other buildings throughout Italy were featured in a solo show entitled Italian Journey at the Cahoon Museum of American Art (Cotuit, MA). Keith Paintings, an exhibition of paintings starring her
husband Keith Althaus, was on view at the Truro Library in Spring 2003.
RON SHUEBROOK’s work was included in a group show at the Olga Korper Gallery
in Toronto.
1971–1972
DON WYNN had solo exhibitions in 2003 at Gallery 100 in Saratoga Springs, NY; Tannery Pond Center Gallery in North Creek, NY; Iron Bridge Gallery in Long Lake, NY; and in Ann Arbor, MI, at the Tabor Mill Gallery. His oil painting, "Cederic Gates," was acquired by the Adirondack Museum in Blue Mountain Lake, NY, a gift of Jack Beal and Sondra Erekleton.
1972–1973
FRANK EGLOFF’s paintings were featured in Painting in Boston: 1950–2000, at the DeCordova Museum (Lincoln, MA), a self-titled show at Brent Sikkema (New York), and in a group show, Influence, Anxiety and Gratitude, at the MIT List Visual Arts Center (Cambridge, MA).
1973–1974
BECKY HOWLAND’s exhibit, The Curiously Strong Altoids Collection, is traveling to Consolidated Works (Seattle, WA), Soo Visual Arts (Minneapolis, MN), Art Center/ South Florida (Miami Beach, FL), Atlanta College of Art (Atlanta, GA) and the New Museum of Contemporary Art (NY,NY). Paradise Now, Picturing the Genetic Revolution is traveling to the Purnell Center for the Arts at Carnegie Mellon University (Pittsburgh, PA), the Newcomb Art Galley at Tulane University (New Orleans, LA) and the Art Center College of Design (Pasadena, CA).
1975–1976
DAVID WHEELER’s work was included in a group exhibition at the Denver Museum of Science in Fall 2003, and a group show at the New York State Museum in Albany, NY in Spring 2004. In February 2004 he had a solo show at the Grosvenor Gallery at SUNY Cobbleskill.
1976–1977
BERT YARBOROUGH (also 1977–1978) was included in a three-person show (along with Paul Bowen and M.P. Landis) at the Battelle Harding Gallery in Greenfield, MA. The show included individual work and collaborative pieces. He exhibited his work in a solo show, Gone To Seed, at McGowan Fine Art (Concord, NH) in Spring 2003, and was also part of a group show titled Peaceable Kingdom at the DNA Gallery (Provincetown, MA) in Summer 2003.
1977–1978
PAUL BOWEN (also 1978–1979) was included in a three-person show (along with Bert Yarborough and M.P. Landis) at the Battelle Harding Gallery in Greenfield, MA. His work was included in several group shows at the DNA Gallery in Provincetown, and also featured in a retrospective at the Museum of Fine Art in Dennis in Fall 2004.
STEWART MACFARLANE’s work was featured in two solo exhibitions: Newstart at the Bett Gallery in Hobart, Tasmania in June 2003, and Neue Gemälde und Grafik in October 2003 at the Galerie Carlos Hulsch in Berlin.
1978–1979
STONEY CONLEY (also 1979–1980) curated the exhibition Éire/Land last Spring at the McMullen Museum of Art at Boston College. In February 2003 his work was included in the exhibition Points of View: New England Artists in Ireland at the New Arts Center in Newton, MA.
1979–1980
MARY ARMSTRONG
exhibited work in two group shows: Éire/Land at the McMullen Museum of Art, Boston College, and Points of View: New England Artists in Ireland at the New Arts Center in Newton, MA. Her paintings were also featured in a solo show titled Heart Beats at the Oresman Gallery at Smith College in Northampton, MA.
JOHN BENVENUTO was awarded a 2003–2004 Individual Artist Fellowship Grant from the Montgomery County (Ohio) Arts and Cultural District. He was also chosen to build an outdoor site-specific sculpture at Stone Quarry Hill Art Park, Cazenovia, NY.
KAREN SCHIFANO
received a merit award (one of three awarded) at the 2003 New Jersey Center for Visual Arts International Juried Show. The show was juried by Anne Umland, Associate Curator of Paintings at MOMA. Her new work was exhibited at Tobey Fine Art (NY, NY) in Winter 2004.
1980–1981
JIM ELNISKI’s recent exhibitions include Practical Applications of Harvesting Language, a performance piece with the artist Donald McGhei at Oxbow in Saugatauk, MI; Tornado Flower, a collaborative sculptural event at the Little City Foundation, IL; and Acts on the Green Line at The Root Project in Chicago. Currently, Jim serves as the Director of the First-Year Program at the School of Art Institute of Chicago.
1981–1982
SAM MESSER and Denis Johnson collaborated on Cloud of Chalk at Volume (NY,NY) May 26–June 19, 2004.
1983–1984
ELLEN DRISCOLL (also 1984–1985) completed a women’s restroom installation for the new Smith College Museum of Art in 2003. She received a commission to create artwork for the renovation of the Main Branch Cambridge Public Library in collaboration with the Women’s Commission of Cambridge, and another three-year-long commission for a kinetic and interactive sculpture for a new community park being built by Massport on Northern Avenue in Boston.
JENNY LYNN MCNUTT’s multimedia piece, Sewing Songs/Cucendo Canzone, was presented in Rome, Southern France, and New York during the past three years. She created the oracle, video, set, costumes, and lyrics for the performance. She is currently working on a piece, Woman’s Song: The Story of Roro Mendut, co-presented by The Kitchen and The World Music Institute.
1985–1986
SHARON HORVATH received an Edwin Palmer Memorial Prize from the National Academy Museum (NYC).
MARYALICE JOHNSTON (also 1986–1987) currently serves as the Visual Arts Program Coordinator at the Fine Arts Work Center. Her recent exhibitions include: Loaded in Miami at Scope, Ethan Cohen Fine Arts, Miami, FL; Passion: Love for Art—Ice Project 01: Art in Truro, Ethan Cohen Fine Arts, Truro, MA; letoM swodaeM at the Meadows Motel, Room #8 (bathroom); Got Gourd at The Schoolhouse Center; and Quaking Bog all in Provincetown.
QUENTIN WALTER is currently working as the persona Mercedes Devereau on a project entitled BUZZ X, featuring 22 of her small-scale watercolor paintings which were exhibited at the Schumann Florida Gallery of the Vero Beach Museum of Art from September 4 through October 31, 2004.
1986–1987
LISA YUSKAVAGE’s paintings were included in a group show at the Marianne Boesky Gallery (New York City) in Summer 2003. She also exhibited work in the de Kooning to Today Exhibition at the Whitney Museum in Fall 2003.
1988–1989
ANN REICHLIN’s new work "Schism" was included in New Installations, Artists-in-Residence at The Mattress Factory (Pittsburgh, PA) May 15–June 27, 2004.
1989–1990
RICHARD BAKER’s (also 1990–1991) work was included in the group show Grisaille at JG Contemporary in New York, Spring 2003.
MADELINE SILBER exhibited her work in four different shows in 2003: a solo show, Brink, at the Heather Marx Gallery in San Francisco, CA; and the group exhibitions Modern Medium: Contemporary Art in New York State at the Fenimore Art Museum in Cooperstown, NY; Shaping Space at the Mural Gallery in Stamford, New York; and
TALENT 2003 at the Allan Stone Gallery, NYC. She was also part of GROUP at the Allan Stone Gallery (NY,NY), September 11–October 9, 2004.
1990–1991
BEVERLY RESS’s work was included in the show Brave New World at the OIA Gallery in New York, part of a series celebrating the discovery of the structure of DNA. She also participated in group shows at the James E. Lewis Museum of Art at Morgan State University, and the Decker Gallery at the Maryland Institute, College of Art. She was a finalist for the first Trawick Prize.
DUANE SLICK (also 1991–1992) was profiled in the December/January 2003 issue of Art New England preceding his show Instructions on the Care and Use of White Space at the Nielsen Gallery (Boston, MA).
1991–1992
JAMES ESBER’s solo show, New Work, was at the PPOW gallery in New York City in 2003.
1992–1993
LEE BOROSON’s work was included in the exhibition View from Here at Artspace in New Haven, CT, in Summer and Fall 2003. He also exhibited work in several solo shows: at the Genovese/Sullivan Gallery in Boston, MA, in January 2004; at the Reynolds Gallery in Richmond, VA, in May 2004; and at the Tang Museum, Skidmore College, Saratoga Springs, NY, in September 2004.
MATT HARLE is currently a Second-year Visual Arts Fellow at the Fine Arts Work Center.
LINDA MATALON’s show, Linda Matalon at Cohan Leslie and Brown, was reviewed in Art in America by Nancy Princenthal. Her work was also exhibited at the Herter Gallery (University of Massachusetts, Amherst) in February 2003.
JANICE REDMAN (also 1993–1994) exhibited her sculptures in a solo show at the Bannister Gallery at Rhode Island College in Spring 2004.
1993–1994
MICHELLE WEINBERG’s work was featured in several solo shows in 2003: Stories and Geometries at the Linda Schwartz Gallery in Cincinnati, OH; Funny Car at The Hood Gallery in Los Angeles, CA; Pith and Polish at the RC Gallery in San Antonio, TX; and Kut Paper at the OniGallery in Boston, MA. She also participated in a number of group shows, including SET at PS 742 (Miami, Florida), Tasty Buds at the Work Space (NYC), and in the $99 Show at the Cynthia Byron Gallery. In 2004, a solo exhibition titled Rocket Projects exhibited in Miami, FL, and her work was also part of a group show, White Box, at the Soo Gallery in Minneapolis, MN. She was the recipient of an 2003 Artist Access Grant from Tigertail Productions, and also the recipient of a 2004 Fundacion Valparaiso Residency in Mojacar Playa, Spain.
1994–1995
NICK KAHN and RICHARD SELESNICK collaborated on The Apollo Prophecies at Pepper Gallery (Boston, MA) May 20–June 19, 2004.
1995–1996
ELLEN GALLAGHER’s (also 1996–1997) painting "They Could Still Serve" was on view at the Museum of Modern Art in Fall 2003.
HIROYUKI HAMADA’s work was exhibited in both a solo show and a group show at the DNA Gallery in Provincetown, as well as in a solo exhibition at Plane Space and a group show at the OK Harris Work of Art, both in NYC.
1996–1997
LARRY MULLINS exhibited his work as part of a show at the Bellwether Gallery in Brooklyn, NY entitled Oral Moral.
1997–1998
ECKHARD ETZOLD’s one-person exhibition was jointly organized by the Museum Goch, Sylt-quelle, and Galerie Seipel in Germany.
1998–1999
KIRSTEN HASSENFELD won an Emerging Artist Fellowship and is a Visual Arts Resident at the Smack-Mellon Studios in Brooklyn, NY. She had a solo show at the Bellwether Gallery in May 2004, and a solo project at Artspace in New Haven, CT, from July–September, 2004.
MALA IQBAL’s (also 2000–2001) work was featured in a solo show at the Bellwether Gallery in Winter 2003, as well as numerous group shows including Superheroes at the Ruby Green Contemporary Art Center (Nashville, TN); Escape from New York at the New Jersey Center for Visual Arts; Sustain: Project at Renewable Brooklyn at the Prospect Park Tennis House in Brooklyn, NY; Better Homes and Gardens at the Zoller Gallery at Pennsylvania State University; Through Customs: South Asian Women’s Creative Collective 6th Annual Visual Arts Show at the Bose Pacia Gallery (New York, NY); and Out of Place: Mala Iqbal, Nicole Henning, Markus Weiss at the Galerie fur zeitgenossische Kunst, Zurich, Switzerland. She was also included in the Altoids Curiously Strong Collection.
HAE-WON WON had a show at the Bemis Center for Contemporary Arts (Omaha, NE) in Spring 2003.
1999–2000
ELLEN ALTFEST won a 2004 Fellowship from the Dorland Mountain Art Center in Temecula, CA. She will curate the show Funny Not Funny at Champion Gallery in Brooklyn, NY. Her work was exhibited in a 2003 group show, You, at the Royal Modern Gallery in New York City.
KIMBERLEY HART’s (also 2000–2001) solo show Charmer exhibited at Bellwether Gallery (Brooklyn, NY) January 9–February 9, 2004.
KATHERINE SHOZAWA’s work was featured in the group show Get In Line at the George Adams Gallery (New York, NY).
2000–2001
ESTHER JISKOOT was commissioned by the City of Amsterdam to create three sculptures for the Zuiderkerkprijs in 2003. Her work was featured in both a solo show at Van Wijngaarden/Hakkens Gallery and in a group show at the Fonds voor Beeldende Kunsten, Vormgeving en Architectuur (both in Amsterdam) in 2004.
HANS VAN MEEUWEN’s work was included in the following group shows in 2003: Ace Invitational at the ACE Gallery in Los Angeles; Arche Noah at the Gabrielle Rivet Gallery and Art Fair at the Deschler Gallery (both in Cologne, Germany); Art Frankfurt and Curious, both at the Deschler Gallery in Frankfurt, Germany; and 5x5 Skulptur at the Im Pfefferberg in Berlin, Germany. In Spring 2003, he created an outdoor sculpture in a park in the city of Zeist (Netherlands), and designed a hotel room for the Hotel Kuensterheim Cuise in Berlin. In 2004, he exhibited his work in two solo shows, one at the Ace Gallery (Los Angeles, CA) and the other at the Seippel Gallery (Cologne, Germany).
2001–2002
JENNY DING participated in two group shows at the DNA Gallery in Provincetown in 2003, including Peaceable Kingdom.
ELLIOT HUNDLEY was awarded a three-month fellowship at the Bemis Center for Contemporary Art in Omaha, Nebraska in Summer 2003.
YUN-FEI JI had a solo show The Empty City at Provisions Library (Washington, DC) in Summer 2004.
LAMAR PETERSON’s (also 2002–2003) show Milk & Cookies ran April 24-June 5, 2004 at Deitch Projects in New York. He was featured in The New York Times Magazine as "Painter of Suburbia" on October 17, 2004.
2002–2003
ANGELA DUFRESNE’s (also 2003–2004) work was included in a group show at the Miller Block Gallery in Winter 2003, and reviewed by Cate McQuaid for the Boston Globe.
CARLOS FERGUSON was a Visiting Artist at Coe College in Iowa, where he exhibited his work in a solo show titled Viewer. He was in-residence at the Tyrone Guthrie Center in County Monoghan, Ireland, in May 2004, and at the Ucross Residency in Wyoming in Fall 2004.
MICHAEL JONES MCKEAN was the Stephen L. Barstow Visiting Artist at Central Michigan University in Fall 2003, where he had a solo exhibition, The Ghost Whale Circuit. He also had a solo exhibition in May 2003 titled breeze, whale, gala at the Gallery HQ in Kansas City, MO; another solo show, Daredevils of the Speedway, at the Mezzanine Gallery in Wilmington, DE in Winter 2004; and was part of a group show Biomimicry at The Herron School of Art (University of Indiana) from February–March, 2004. He was awarded residencies at The Bemis Center for Contemporary Arts and at the Sculpture Space in Utica, NY.
GRACE SULLIVAN is currently a Second-year Visual Arts Fellow at the Fine Arts Work Center.
COLLABORATIVE RESIDENCIES
COPLEY SOCIETY FELLOWS
2001
SUZANNE ULRICH (also 2003) exhibited her recent work in a solo show at OK Harris Gallery in New York City in Spring 2003 and at Kathryn Markell Fine Arts (NY, NY), April 15–May 15, 2004.
2002
KAY RUANE’s work was included in the Fifth Annual Realism Invitational at the Jenkins Johnson Gallery (San Francisco, CA) in Summer 2003. She also exhibited work in a group show, Women By Women, at the Jenkins Gallery and in a group show at the Miller Block Gallery (Boston, MA) titled Unlikely Portraits.
GAEA FELLOWS
2003–2004
LE THI DIEM THUY was interviewed in The Writer. Her first novel, The Gangster We Are All Looking For, earned her a place on both Vogue and Book Magazine’s 2003 list of the "10 Writers to Watch." She is a recipient of a 2004 John Simon Guggenheim Memorial Foundation fellowship.
HAND HOLLOW FELLOWS
1995
ELENA SISTO’s work was exhibited in a solo show From Life: New Paintings and Works on Paper at LittleJohn Contemporary Gallery in New York, November 11-December 11, 2004.
1998
HAROLD CROOKS worked as a producer/writer on Peter Raymont’s The World Stopped Watching; the film was selected for the 2003 Montreal World Film Festival and the 2003 Cork Festival. He also worked on Mark Achbar’s The Corporation, selected for the Amsterdam Film Forum, the Sundance Film Festival and the Toronto International Film Festival, where it won a People’s Choice Award. He is currently working on a film biography of Bartolomé De Las Casas and a made-for-television movie, Betting On Love, with artist Medrie MacPhee.
HISK FELLOWS
2001
WIM WAUMAN’s work was included in several group exhibitions including The Echo of a Duck’s Quack at FRIGO (Antwerp); Happiness: A Survival Guide For Art and Life at the Mori Art Museum (Tokyo, Japan); Tracer at the Provincial Archeological Museum Ename (Oudenaerde, Belgium); Contour, which showed video-art in various churches across the city of Mechelen, Belgium; and DE ALPEN at Netwerk Gallerij (Aalst, Belgium).
LANNAN SENIOR FELLOWS
1995
CAROLINE KNOX published her fifth collection of poetry, He Paves the Road with Iron Bars (Verse Press)
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