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In Provincetown, six weeks in spring is decidedly shorter than six weeks in winter. Ask anyone at 24 Pearl Street who is faced with the somewhat daunting task of turning the Work Center into a small college campus while returning Fellows are taking up residence, current Fellows are extending their stays and the entire town is readying itself for the oncoming summer crush.
Every year in May, the Work Center is alive with activity: painting, testing computer equipment, preparing the print studio and darkroom. With the help of Fellows who extend their time in Provincetown and a staff headed by Buildings and Grounds Manager Dan Towler, the transformation is accomplished.
The Summer Program grows every year, not just in the number of students attending, but also in the variety of faculty and classes offered. In addition to welcoming back perennial favorites including Grace Paley, Mark Doty, Amy Bloom and Michael Mazur, as well as faculty returning after a few seasons away, the Work Center continues to expanded its offerings. In 2001, Dramatic Monologue with writer/ actor James Lecesne and Documentary Photography with photographer Amy Arbus were added to the course listings.
Several special events round out every summer. In 2001, the July exhibition of works by board member Judith Shahn was accompanied by an auction of donated art to benefit the Dugan/Shahn Endowed Fellowship. Shahn's opening reception was followed by a reading by her husband, poet Alan Dugan, author of Poems Seven, a 2001 National Book Award Nominee.
The next night, poet Mary Oliver gave a rare and beautiful reading, which was followed by an interview with poet and translator Coleman Barks. The events brought several hundred people to the Work Center, with outside sound and video provided by the Lannan Foundation. (For video tapes of these and other poetry events, you can contact the Lannan Foundation at (505) 954-5149.) FALL WORKSHOPS & EVENTS After Labor Day, Provincetown begins its transition from a bustling summer destination to a small seaside town. The streets are less crowded, the beaches quieter and artists and writers resume the creative work that has taken a back seat over the busy summer. At the Work Center for the past two years, October and November weekends have also welcomed a quiet, intense session of workshops in creative writing and the visual arts. The courses are small, the time short and the spirit is one of gearing up for a winter of the solitary work that comprises most of a writer's or an artist's creative life.
In conjunction with the workshops, the Work Center hosted weekly readings by fall faculty members, filling the Stanley Kunitz Common Room every Saturday night through the middle of November.
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